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  • A nude figure seen from the back with a spinal column of eighteen vertebrae exposed, with the nerves that radiate from it visible. Process print, 1926, after a manuscript illustration, 1345.
  • A male nude with the parts of the abdomen and thorax labelled. Process print, 1926, after a manuscript illustration, 1345.
  • A human skeleton, seen from the front, with labels giving the latin names of the bones. Photograph after a woodcut after Hans Wechtlin, 1517.
  • An écorché figure seen from the back, holding a skull in his lowered right hand. His left arm is raised with his hand held in a gesture of eloquence. Engraving by G. Bonasone, 155-.
  • An écorché figure seen from the back, holding a skull in his lowered right hand. His left arm is raised with his hand held in a gesture of eloquence. Engraving by G. Bonasone, 155-.
  • Section of the dorsal (?) rib cage showing multiply fractured ribs. Watercolour in grisaille by S. A. Sewell, ca. 1918.
  • The bones of the arm. Engraving after G. de Lairesse, 1739.
  • The muscles of the arm and palm of the hand and geometrical diagrams of the tendons and fibres of different muscles. Engraving after G. de Lairesse, 1739.
  • Cervical, thoracic and lumbar vertebrae. Engraving after G. de Lairesse, 1739.
  • The bones of the hand (fig.1: palmar; fig. 2: dorsal) and the wrist (fig. 3: detail of carpal bones). Engraving after G. de Lairesse, 1739.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • The muscles of the arm, elbow and shoulder and the bones of the lower arm. Engraving after G. de Lairesse, 1739.
  • Seventeen different pieces of sealed, precious medicinal earth known as 'terra sigillata'. Pen drawing.
  • The flexor muscles of the arm, hand and fingers, separated from each other and raised through the use of a dowel and a perforated box. Engraving after G. de Lairesse, 1739.
  • Fry's pure concentrated cocoa : Hooray! It's Fry's : Fry's milk chocolate.
  • Fry's pure concentrated cocoa : Hooray! It's Fry's : Fry's milk chocolate.
  • The muscles of the back, with the hands tied together at the wrist. Engraving after G. de Lairesse, 1739.
  • The skin removed from the lower leg, exposing the muscles of the lower leg and the sole of the foot. Engraving after G. de Lairesse, 1739.
  • Muscles of the shoulder, upper and lower arm. Engraving after G. de Lairesse, 1739.
  • The muscles of the lower leg and the sole of the foot, dissected and separated, with the tibia and fibula exposed. Engraving after G. de Lairesse, 1739.
  • The scapula (figures 1-2) and the clavicle (figures 3-4) and the sternum seen from the front (figure 5). Engraving after G. de Lairesse, 1739.
  • The muscles of the left thigh, seen from the front. Engraving after G. de Lairesse, 1739.
  • A deep dissection of the muscles of the thigh. Engraving after G. de Lairesse, 1739.